Ghost The Musical

Review by Katie Anna

⭐⭐⭐

I've hungered for a sweeping and heartfelt revival of Ghost The Musical for such a long, lonely time… So does the new UK tour hit the mark? 

For anyone who has managed to miss this iconic love story in any of its iterations, the plot goes something like a jazzed up hallmark movie… We meet a typically romantic couple who have just bought their first house together and are excited for the adventures ahead. And then the worst happens - a terrible trauma with some spooky side effects followed by what can only be described as bedlam. Can they make it work as a team when they're literally worlds apart, or will the rich, white, male CEO triumph in the end. I'll let you guess…

This is one of the only critiques with Bruce Joel Rubin’s book; there are no real stakes. It is an entirely predictable progression, with the ending nearly obvious from the start. There are, of course, a few twists and turns along the way, but none that really grip us to the edge of our seats wondering what's to come.

Having an undoubtedly brilliant cast, it is slightly disappointing to see many of them underutilised. With plenty of stage time but not many memorable moments, the scenes seem to consist primarily of our principles: Rebekah Lowings as Molly and Josh St. Clair as Sam. While they both deliver a vocally brilliant performance, Lowings really stole the show with her rendition of With You. Not only is this an achievement in itself, but even more so when taking into account how many versions are already played regularly within the musical theatre sphere. 

Nick Richings's lighting design was illuminating and worked well in harmony with Dan Samson (sound design) to create an appropriate ambiance. However it seemed inconsiderate to Alistair David’s choreography in some numbers, leaving the ensemble in the shadows both literally and figuratively. This is especially a shame as the dancers really were a highlight in every song. 

Naturally the absolute standout element was the most beautiful score by Dave Stewart and Glen Ballard. It's one that fills you with bubbles of joy and longing and determination all at once.

Samuel Masters

Independent theatre reviews run by Samuel Masters

https://www.stagemasters.co.uk
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