This is a powerful examination of a woman once relegated to the background, bringing Mary Lincoln into the spotlight as she finds her voice, asserts her agency, and reclaims the power that was once stripped away.

Each scene feels as though you are witnessing a piece of artwork come to life before your very eyes, as Tom Visser’s powerful lighting design illuminates the stage with grace.

Norris' play is deeply moving and piercingly funny, cleverly exploring the idea of feeling like a runner-up in life and the terrible impact it can have.

As a concert, the production was of high quality, with lavish costumes and a beautiful set. The music was entrancing, with sweeping melodies and soaring ballads that left me with goosebumps.

So many people, and their stories, are lost and will never be remembered, so to learn the story of Miriam Freeman, was incredibly special.

No matter where you’re sitting - whether in the basement or the balcony - be sure to keep the space in front of you clear of bags, jackets, and drinks. You never know when a character might wander through!

They take Riders to the Sea and reinvent it with their unique performance style; merging live performance, recorded sound, and projections.

Gerardine Sacdalan leads this extremly tight ensemble with a scene stealing powerhouse performance as Juliet, defiantly cementing herself as a performer with a huge carer on the horizon.

Although labelled as a romantic musical comedy, I sadly left not remembering any songs from the uninspired score or having laughed throughout this workshop presentation.