The production proudly boasts self expression through its detailing of the creative process, inviting a look into both the real and semi-fictionalised worlds of these characters.

There are the smallest glimmers of a well-written book at it’s core, however in its current iteration I can’t recommend this as I feel a more equipped playwright needs to take charge of fluffing up this X-rated story to make it less wooden.

Real images and footage are inter-spliced throughout, helping to bring to life this impressive yet tragic story of fighting adversity to win against all odds.

Stacked with one of the most talented comedic ensembles in the West End, each and every performer showcased why they were born to play these iconic roles and how skilled they are 18 years later at both puppetry and comedy.

I was instantly hooked and drawn into the Cornish coast through Darren Clark’s spectacular score, Zoe Spurr’s magnifying lighting and Chi-San Howard’s inspired choreography, all performed by a multi-talented cast.

Featuring a catchy electro-pop score, brought to life through unexpected contemporary references, the production shines with its hilariously unhinged lyrics.

Both Collins and Morte excel in their west end debuts, dazzling with their cinematic performances and electric chemistry from the moment they step onto the stage.

The film is brought to life with masterful set and video design, combining screens, projections and practical effects in perfect unison to transport audiences from scene to scene.

An extremely challenging and fearless piece of theatre which is deeply relevant to the current political landscape.